Our Take

While we began with exploring the impact of Noiseware on Sigma Foveon images, we found this program was also very effective with Pentax K20D and Sony A350 high ISO images. The greatest improvements seem to be in those images that have the lowest amount of in-camera noise processing.

The image improvement is pronounced in Sigma SD14 images that are reported to have little or no noise reduction applied in the Sigma Photo Pro software. Noiseware was also quite effective in processing Pentax K20D images from their Samsung 14.6MP sensor. Pentax applies smaller amounts of noise reduction in their image processing so the addition of Noiseware can have a substantial impact on the quality of high ISO images.

The Sony A350 is already employing a substantial amount of noise reduction in its in-camera processing of high ISO images. Noiseware can also improve these images, but the results are more subtle than those seen with less processed JPEGs. Improvements are certainly visible but they are not the night day results sometimes seen with Sigma SD14 and Pentax K20D images.

Canon and Nikon JPEG images processed with Noiseware behave much like the Sony A350 images. You will see improvements, but they are not as dramatic as some other images. This would certainly imply that both Canon and Nikon are employing large amounts of in-camera noise reduction, just as Sony does, which is contrary to what many assume. While Nikon and Canon seem to employ a similar amount of noise-reduction, this is not to say they all process noise in the same manner. A book could be written on the "noise reduction philosophies" of the three companies because they appear to be making different choices with their noise-reduction processing. However, many incorrectly criticize Sony, for instance, on their "heavy" image processing in the A350. Canon and Nikon also heavily process images in-camera; they just make slightly different choices in their processing algorithms.

The "selective" processing we saw with Noiseware certainly supports their claim that Noiseware is not "median-based" like most other noise reduction software. The program seems most effective where noise is the highest and it has the admirable trait of not over-processing images that need subtle noise fixes. In processing images for this review, Noiseware did live up to their claim of reducing noise without overly reducing sharpness in the image. All of this was with the free Community Edition. You can expect the licensed AI editions of the standalone and plug-in editions of Noiseware to be even better at selective processing, and to actually improve in effectiveness with extended use.

Noiseware only works with files that have been processed in-camera or with another software program like Photoshop. The standalone requires JPEG, PNG, BMP, or TIFF files for processing. The plug-in version can process any file format the native program supports, but Camera RAW is also a Photoshop plug-in. That means you can't use Noiseware with a RAW image as it is designed for post-processing.

With Noiseware used for post-processing images, the Sigma SD14 becomes a completely different camera. You will no longer be afraid to shoot at ISO 800 and even ISO 1600 is usable in a pinch, though it is not the same low-noise as ISO 1600 on competing cameras. Noiseware is also extremely effective in post-processing of Pentax K20D high ISO images.

The impact of Noiseware on cameras that already employ heavy noise reduction in-camera is not as dramatic. Sony A350 images are improved, but the effect is more subtle. The same is true of Canon and Nikon images which have been processed in-camera as JPEG images. These images are improved but changes are more subtle.

This selective behavior of Noiseware makes it an extremely useful noise reduction program. It works best where it is needed most in high ISO noise images such as those found with the Sigma SD14 and Pentax K20D. Noiseware does much less to images that have already experienced substantial noise reduction such as Sony A350, Nikon, and Canon images. It also seems to have little impact on the sharpness of these previously processed images, which is certainly a good thing.

Sony A350
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  • Degloriath - Monday, July 28, 2008 - link

    Thanks for the article, noise is certainly always a problem in digital photography. I've messed around with different noise-reduction methods via Photoshop itself, as well as a plugin called Noise Ninja which usually worked pretty well for myself. All in all it takes some patience and tinkering to ever get it perfect. :) Perhaps I shall look into the mentioned program as well.

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